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University Staff: Request a correction | Enlighten Editors: Update this recordĪpatow, Judd. Reproduced in accordance with the publisher copyright policy Religion > BH AestheticsĬollege of Social Sciences > School of Interdisciplinary StudiesĬopyright © 2022 by Walter de Gruyter Berlin/Bostonįirst published in Philosophy of Humor Yearbook 3: 63-91 Religion > B Philosophy (General)ī Philosophy. Item Type:Īutobiography, stand-up, Stanhope, inwardness.ī Philosophy. Links are made with Søren Kierkegaard’s notion of “inwardness,” and it’s argued that authenticity is a prerequisite for the quality of self-disclosure that is basic to Stanhope’s excellence. Many aspects of Stanhope’s (highly unusual) life find their way into his shows, and true stories and his personality more broadly are folded into other elements of his act (such as his political views). Some advantages of comedians’ employing true first-person stories are discussed, and these considerations are then explored through the role of autobiography in the work of Doug Stanhope. A categorizing of forms of comedic story is presented involving the dimensions of grammatical person and truthfulness. However, most stories told as if true by comedians are not true. Stories bring something extra to the performance, and when presented as true add a further layer of appeal. It is common for stand-up comedians to tell stories as well as, or instead of, jokes.
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